Northern
Virginia Chorale's
Past Concerts:
Past 2007-08 Concerts:
May
2, 2008 at 7:30 PM:
The
Three B's: Bach, Beethoven and Brahms
Our Spring 2008 concert consisted of the following choral
works by these three composers:
Johann
Sebastian Bachs
-
Sanctus
in D Minor
-
Jesu,
Joy of Man's Desiring
Ludwig
van Beethovens
-
Hallelujah
from Mount of Olives
-
Mass
in C Major Opus 86
Johannes
Brahms
-
Schicksalslied
Song of Fate
Opus
54
December
16th, 2007 at 4:00 PM:
Holiday
Dessert Concert
Our annual holiday concert featured a medley of holiday
songs from Broadway shows designed to rid us of any Bah
Humbug thoughts and set us on the path of yuletide merriment.
These Broadway showstoppers included such songs as: God
Bless Us Everyone, It's Beginning To Look Like Christmas,
March Of The Toys, My Favorite Things, Pine Cones and
Holly Berries, Toyland, and We Need A Little
Christmas. Additionally, the concert included
other holiday carols and selections from Handels
Messiah. Piano, brass and drums
accompanied the chorale's joyful celebration of the season.
Refreshments followed the concert.
Note: Members of the chorale joined the
Met Chorus at the Kennedy Center Concert Hall for Handels
Messiah Sing-Along concert
on December 9, 2007 at 2:00 PM. Join us in song as members
of the audience.
October
27th, 2007 at 7:30 PM:
A
Concert of Remembrance
Dedicated to the late Bill Braun, a longtime member
of the chorale, this concert featured the classic
choral work of Faurés Requiem.
The French composer Gabriel Urbain Fauré completed
this work in 1890. In describing his composition,
he said, It has been said that my Requiem
does not express the fear of death and someone has
called it a lullaby of death. But it is thus that
I see death: as a happy deliverance, an aspiration
towards happiness above, rather than as a painful
experience.
Additionally, the chorale performed Randall Thompson's
Testament of Freedom. This
work was composed by Thompson in 1943 while he was
teaching at the University of Virginia. An orchestra
accompanied the chorale honoring our beloved Bill
Braun.
March
3rd, 2007 at 8:00 PM:
Annual
Dessert Concert
An Evening with Lerner and Loewe
The artistry of Frederick Loewes romantic melodies
coupled with the moving lyrics of Alan Jay Lerner
produced some great Broadway musical hits from 1947
to 1960. Recall the moving lyrics from the musical
Camelot: Your hair streaked with sunlight, your
lips red as flame, your face with a luster that puts
gold to shame. This concert lifted spirits with
a medley of songs from that memorable show as well
as Brigadoon,
My Fair Lady, and Paint Your
Wagon. Audience
memebers were invited to join the chorale after the
concert for the annual dessert reception.
May
5th, 2007 at 8:00 PM:
Our
American Heritage
A Tribute to the Founding of Jamestown
Virginia
will celebrate the 400th anniversary of the founding
of Americas first permanent English colony by
the landing of 104 Englishmen on the banks of James
River on May 14th, 1607. Composer Randall Thompsons
Ode
to the Virginia Voyage captures
this piece written by Michael Drayton in 1606 as an
exhortation for English settlers to go forth and subdue
new lands. The Jamestown settlers reportedly sang
the Ode during their four-and-a-half month voyage
to the New World. While history preserved the Odes
text, it provides no record of the original music.
Randall Thompson orchestrated the Ode for its first
performance in 1957 at Jamestown, commemorating the
settlement's 350th Anniversary. The
concert will include songs
from the 17th Century, and
some madrigalian Celtic pieces sung by students of
the Northern Virginia Community College's Music program.
It will also include
Shenandoah one
of America's most well known folk songs. It will
conclude
with two songs from Aaron Coplands opera The
Tender Land. The songs The
Promise of Living and Stomp
Your Foot Upon the Floor are set in
the American heartland during the Great Depression.
This work evinces the feelings of a high school senior
farm girl deciding how best to live her life. Richard
Rodgers and Oscar Hammerstein II commissioned Copland
to create this work for its opening performance in
1954.
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